The world falls apart beautifully in Jewel Owusu’s new EP, the end of everything

With lush, experimental production and disarmingly honest lyrics, Owusu delivers a compelling mixtape about heartbreak, loss, and identity

Filipino-Ghanian artist Jewel Owusu has released her new mixtape project, the end of everything on all digital music platforms worldwide.

The eight-track EP captures the fragility, resilience, and transformation that come with endings—be it ordinary or life-altering—but experienced through the turbulent lens of youth.

At once poetic and piercing, the end of everything explores what it means to come undone and be rebuilt, weaving existential reflection with sonic experimentation. Owusu’s songwriting unearths the nuanced devastation of loss, heartbreak, and disillusionment, but with hope still clinging behind the trail.

Jewel Owusu drops music video of “spark”

Filipino-Ghanian artist Jewel Owusu has dropped the music video for “spark.”

A visual companion set in the haze of a late-night club, the MV follows Jewel Owusu navigating the crowded dance floor, barely keeping up with the frenetic energy and the people around her.

According to Owusu, the video evokes the sensory experience of being in a club but completely alienated from its lively, bustling vibe. “It’s one of those nights where you show up, but you’re not actually having a good time. You’re caught in your own head while everyone else around you is on a completely different wavelength. It feels as if you are moving through space in an alternate reality.

Jewel Owusu turns desire into a self-love anthem in new single “spark”

Her infectious dance-pop confessional reframes fleeting attraction into a deeper conversation about love, self-confidence, and desire

Filipino-Ghanaian artist and producer Jewel Owusu dives into the complexity of desire in her new single “spark”—out on all digital music platforms worldwide this Thursday, August 21, 2025. 

The suave electro-pop track dabbles between introspection and dance-floor energy, reflecting on fleeting thoughts about someone else that arrive uninvited. Rather than framing them as dangerous and destructive, Owusu examines them as symbols of freedom and excitement and of the aliveness that can sometimes feel distant in a settled routine.