Ace Banzuelo explores the hopeful, more meaningful side of love in “Kilala”

The track sets the tone for his new era in music

Ace Banzuelo examines the beauty of fleeting yet profound connections in his new single “Kilala,” released under Sony Music Entertainment.

A dreamy, melancholic pop track, “Kilala” revels in romantic longing: those heart-fluttering moments that often escape definition. In Ace’s universe, love doesn’t always require shout-from-the-rooftops kind of admission or grand declarations. Sometimes, it lingers in the quiet, unscripted moments that leave imprint long after they pass.

“You may not realize it, but it could be love,” he adds. “This song is about not wanting to lose someone you know you have a great connection with. A lot of people can relate to this.”

KAIA collaborates with hitmaker Zack Tabudlo on the lighthearted pop banger “TANGA”

The song tackles a kind of love that borders on blind innocence

Filipino girl group KAIA continues to deliver another inescapable bop in the form of “TANGA”—out today via Sony Music Entertainment. Produced and composed by Zack Tabudlo, one of the country’s most sought-after hitmakers, the track blends pop confection with a lightness and ‘90s R&B flair.

For the five-piece alphas, the opportunity to collaborate with Zack Tabudlo was a dream come true.

SOS Memorializes Maturity In Highly Anticipated Sophomore Album, ‘It Was A Moment’

The second full-length album sees the band’s contemplative departure from the coming-of-age ‘Whatever That Was’ era

The highly anticipated sophomore album of SOS, It Was A Moment, is finally here. 

Following the release of the carrier single, “Yumi & The Apocalypse” earlier this month, SOS’s latest 11-track project is characterized by the band as a complete departure from their beloved debut album, Whatever That Was, released in 2017. Whereas its predecessor is more reactive and immediate, It Was A Moment is lighter and less fussy in many ways, removing the proverbial chip on the shoulder. Technically, it’s as exacting as one can expect from the group—more sonically expansive and experimental, primarily thanks to the beautifully added sheen of synths and keys to classic SOS anthemic guitars—but thematically, It Was A Moment sees members Seña, Andrew, Anjo, King, and Ram become more deliberate spectators of others as much as themselves (“employing the ‘art of noticing,’” Seña remarks) while keeping the interior feel and unfading anxieties of Whatever That Was.

Minsan Studio launches Minsan Fest, a summer festival dedicated to students

The outdoor festival aims to provide an affordable and inclusive live music experience for the most passionate supporters of local artists

Independent events production company Minsan Studio (stylized as ‘minsan studio’), gears up for the debut of their own music festival, Minsan Fest, on May 17, 2025 at Quezon City Memorial Circle.

The festival, which kicks off at 2 PM onwards, is designed specifically to be accessible for students and young fans.

From music hopeful to promising star: Rock Opong marks official debut with new single “Marahuyo”

The track introduces Rock Opong as a promising singer-songwriter and producer

Rock Opong is making a bold entrance into the music scene, officially debuting as recording artist who not only performs, but also writes and produces his own material. 

Hailing from Iloilo City, Rock Opong’s journey has been anything but easy. Coming from humble beginnings, he spent years trying his luck to penetrate the local music industry, often facing setbacks that nearly made him give up on his dreams. Just when hope seemed to fade, fate intervened: a chance encounter with Balcony Entertainment led to his discovery, ultimately securing him a management contract and a record deal with Sony Music Entertainment.

The FEU Dance Company takes center stage on March 28 and 29 for their major concert entitled “FRAMES: Elevating the Unseen.”

Following the recent success of the FEU Dance Company (FDC) in World of Dance Philippines 2025 where they placed 2nd and won both the Best Costume and Best Theme categories, the FDC stages their annual major concert in the historic FEU Auditorium at 6 PM on March 28 & 29.

Using the backdrop of Philippine folk dances and an open style segment choreographed by the FDC’s members and artistic director, Michael Barry Que, FRAMES: Elevating the Unseen presents a collection of stories of FEU’s “unseen” community — the individuals who contribute to the University in one way or another yet remain in the background. 

A frame highlights an image, draws attention to its details, and emphasizes its significance. In the concert, frames symbolize the windows through which we witness the narratives of the unseen — those whose efforts remain unrecognized yet are essential to our school’s smooth operations. Through frames, the audience is offered a structured yet intimate view into these stories. More than just a visual element, frames also highlight each performance as a captured moment, a snapshot of truth presented piece by piece, much like a moving gallery of untold experiences. Through this concert, the pieces do not just tell stories; they are curated and framed, allowing them to be seen in their full depth and humanity.

Tiara Shaye and Fana named Grand Champions at this year’s PhilPop Himig Handog Songwriting Festival

Maki, Moira, Johnoy Danao, Ferdinand Aragon, Keith John Quito, Rinz Ruiz, and Sunkissed Lola’s Alvin Serito also took home awards 

Rising Filipino artists Tiara Shaye and Fana took home the coveted “Grand Champion” title at the PhilPop Himig Handog Songwriting Festival, held at the New Frontier Theater on Saturday evening.

Their winning entry, “Wag Paglaruan,”captivated the jury with its enduring songwriting appeal and contemporary artistry, standing out among the twelve finalists from the top Philippine songwriting competition. Tiara Shaye composed the award-winning piece, with both herself and Fana delivering a soulful take that further elevated the song’s crossover potential.